Bollywood’s foray into superhero cinema has often been met with mixed reactions, and Remo D’Souza’s A Flying Jatt, starring Tiger Shroff, unfortunately, adds to the list of underwhelming attempts. While the film attempts to blend superhero action with environmental consciousness, it ultimately crash-lands due to a weak plot, questionable performances, and a serious lack of originality. This review dives into why A Flying Jatt, despite its aspirations, fails to deliver as an engaging superhero spectacle.
Directionless Flight and Environmental Gyaan
Remo D’Souza, known for his dance choreography, seems out of his depth when handling a superhero narrative. The film’s biggest misstep is its attempt to preach about environmental pollution. While relevant, the integration feels forced and preachy, detracting from any potential entertainment value. Instead of focusing on crafting a fun, engaging superhero story, the movie gets bogged down in delivering heavy-handed environmental sermons. This misplaced emphasis leaves the audience feeling lectured rather than entertained, making a jatt flying experience more of a chore than a thrill.
Script and Story: Borrowed Wings and Utter Rubbish
A Flying Jatt suffers from a severe lack of originality. It shamelessly borrows elements from numerous Hollywood and Bollywood superhero films, creating a Frankensteinian narrative that feels both derivative and incoherent. The storyline is weak and predictable, failing to offer any fresh perspectives or engaging plot twists. The film’s reliance on clichés and uninspired writing makes it a tedious watch for anyone familiar with the superhero genre. Instead of soaring with innovative ideas, a jatt flying story simply plods along, weighed down by its uninspired script.
Performances: Reluctant Superhero and Repulsive Villain
Tiger Shroff as the reluctant superhero, the titular Flying Jatt, struggles to convince in his role. While his martial arts and dancing skills are undeniable, his acting abilities remain questionable. His portrayal of the unassuming superhero lacks depth and charisma, making it difficult for the audience to connect with his character. Adding to the film’s woes is Nathan Jones as the villain, Raka. His Frankenstein-esque portrayal is more repulsive than menacing, failing to create a compelling antagonist. Amrita Singh’s overbearing mother character and Kay Kay Menon’s wasted talent in a negative role further contribute to the film’s overall weak performances.
Climax and Overall Impression: Landing with a Thud
The climax of A Flying Jatt is nothing short of ridiculous. Instead of building to a satisfying and exciting resolution, it descends into unintentional comedy, prompting laughter of disbelief rather than enjoyment from some viewers. The film’s inability to deliver a watchable superhero story is a recurring issue in Bollywood, and A Flying Jatt unfortunately exemplifies this trend.
In conclusion, A Flying Jatt is a cinematic misfire. Its weak direction, derivative script, and questionable performances make it a forgettable entry in the superhero genre. The only potentially redeeming quality, as hinted in the original review, might be Jacqueline Fernandez’s presence and the ‘Beat pe booty’ song for those specifically interested in that aspect. However, for viewers seeking a genuinely engaging and well-crafted superhero movie, A Flying Jatt is best avoided. It’s a flight that unfortunately never takes off, leaving audiences grounded in disappointment.
